The
margins of popular music are filled with stylistic misfits; square pegs whose
music doesn’t fit nicely into the round holes of convention. Much like the
individuals of Huxley’s “Brave New World,” who are unable to function within
the boundaries of a tightly controlled society and as a result are banished to
remote island communities, talented artists who don’t subscribe to mainstream orthodoxy
are often relegated to the musical sidelines.
This
principle might explain why Jarid Catrenich, aka Angle, one of Des Moines’ most
unique and longest-standing veteran MCs, remains something of a shadowy figure
in the local hip-hop consciousness. Though he has abundant skill and a
sizeable, consistent catalog, it seems his style is just quirky enough to run
askew of the casual listener’s ear. His latest release provides a fresh
opportunity to take a look at his approach and assess its merits.
On
his new EP, Angle assumes the persona of “White Andy” and pays tribute to the
spirit of fun and creativity that characterized hip-hop’s Golden Era. That
spirit is on display in the Vaudeville-styled cover art that features Angle in
top hat, tuxedo, and “reverse blackface,” and its influence is felt in the music
as well.
The
opening track, “Blazee,” begins in typical oddball fashion with a cartoonish intro
followed by a Spanish announcer introducing “Angleoneous Maximus” and producer
Coolzey. The song is breezy and upbeat, and sets the tone for the rest of the album.
Next is a great track titled “Hiyah.” This song was the first to appear from
“White Andy” when its pirate and Renaissance-themed video was released last
spring. Angle’s flow is in good form over the relaxed beat, and he croons the
chorus over a layer of female vocals that sing “White Andy.”
The
program takes a slight turn with “Abysses.” Coolzey lays drowsy strings over an
interesting snare drum pattern, and Angle leads us down a hall of scary movie
horrors replete with ghosts, serial killers, and monsters under children’s beds.
A guest vocalist listed as “The Pleaser” delivers an ominous chorus, warning, “they’re
coming for you . . . “ On “Chinee,” Angle takes aim at shortsighted MCs who are
more interested in freestyle fame than building a solid body of work. (“I feel
you’re haunted by the ghost of Eyedea past.”)
The
centerpiece of the EP is “Farns,” a posse cut that showcases Felix Thunder, D
Average and Toby Diligent of prettygirlhatemachine, Tremayne, Ryan Nixon and
Mic L of Neon Current, and ends with a verse by Coolzey. Though it’s the
longest track on the album, “Farns” has one of those beats I could listen to
for days, and as a result it feels like it ends far too quickly. “Rocket,” finds
Angle playing the role of an aging rap superhero pondering his relevance and his
purpose in the ever-changing world of rap music. There’s an interesting
contrast here between subject matter and presentation; the lyrics deal with artistic
self-reflection, but the music is light-hearted and playful. That contrast is
indicative of the overall balance of this project, and despite its relatively
short run time, it’s a varied and interesting listen.
“White
Andy” comes to a twisted conclusion with the song “Spookster.” Written as a
series of journals entries, it tells the story of a group of people stranded in
the mountains after an avalanche buries their cabin. When the food runs out
and the pipes freeze, the song’s protagonist has to resort to drastic measures to
try to survive. Even on a track so morbid Angle can’t seem to resist throwing
in a quick dash of odd, self-deprecating humor at the last minute, leaving on the
same note that he arrived.
The
peculiarity of Angle’s music is largely due to his deadpan, irreverent, and at
times, dark sense of humor. There’s plenty of comedy on “White Andy,” but he
also shows a willingness to indulge his imagination and work with unusual
subject matter. This combination might not resonate with everyone, but it can
be very rewarding for the listener who values the unique and the unexpected over
the familiar.
-Scott
-Scott